Emily Steinwall's sophomore album, 'but, there's beauty in the fall from Grace', marks a significant departure from her debut, 'Welcome to the Garden'. While the former showcased a masterful blend of art rock, progressive pop, and indie rock with a touch of early-metal riffs, the latter leans into a more introspective, ballad-driven sound. This shift in style is evident from the opening tracks, 'Soft Animal' and 'Human Anymore', which feature a darker, more direct energy. Steinwall's vocals, ranging from breathy lows to commanding wails, are a standout, drawing comparisons to Laufey's vintage style. However, the album's pacing and structure raise concerns. The majority of the songs are slow and languid, with 'Something' being a particularly lengthy and unengaging track. Steinwall's use of the saxophone, a key element in her debut, is underutilized, with only one track featuring it prominently. Despite these issues, the album has its moments of beauty and ambition, particularly in the back halves of 'No One Wins a War' and 'There Is a Light', which showcase Steinwall's vocal prowess and dynamic range. The album's title, 'but, there's beauty in the fall from Grace', is a fitting metaphor for the record's emotional journey, reflecting a fall from the heights of her debut but also a pursuit of beauty and healing. Steinwall's talent is evident, but the album's uneven pacing and style choices may leave listeners wanting more from her next project.
